Dawn Richard kills it wherever she goes, but her home field advantage is unstoppable. Second Line is not only about New Orleans and her family, specifically her mother, who narrates the album, but also about the electronic music reformation of Black women. Thus, “Bussifame” was co-produced with Sam O.B. It’s an interesting statement: a velvety hip-house beat delivered by Richard’s rap muscles, rhythmically combined with big-money braggarts. The curving groove, lightly embellished with neon electric-pop polka dots, is a dream for any drilling team that needs a full-body routine, but will also put your feet to work.